I love the idea of a gallery that feels alive. Start with a central aisle that lets light filter in through a translucent ceiling—think paper or thin fabric. Then create sections that are grouped by material: one wall of woven textiles, a side of paper sculptures, another of polished glass panels. In each section, put small, interactive touchpads on the objects themselves; when you touch a fabric panel, it changes color or texture subtly, and the lighting dims or brightens to match. Use a gentle gradient of light intensity across the room, so that the closer you get to the center, the more responsive the textures feel. Keep the floor low and soft, maybe a plush carpet, so the whole space feels cozy but controlled. And, of course, every piece needs a precise place—no accidental overlaps, just crisp, intentional spacing. That way the whole experience is both tactile and visually harmonious.

Great, let’s get concrete. I’d suggest each panel sits 60 cm apart center‑to‑center, with a 90 cm aisle between sections so people can walk without bumping into anything. For the light, start at 300 lux on the far wall and ramp down to 150 lux in the center, then back up to 300 at the exit. Keep the gradient smooth—just a couple of lamps with dimmers along the ceiling. Sketch it on a grid: mark each panel, note the lamp spots, and you’ll see how the shadows fall. That way every texture gets its moment, and the whole space stays crisp and intentional.