Veyron & AmberShot
Amber, ever think about filming a raw, 0‑to‑100 on a dusty desert strip, just the roar of engines and the wind in your hair? I’m about to hit the track and I need a fearless director to chase that chaos.
Yeah, bring the boom mic, hit the start line, and let the sand fly. No clean cuts, just the roar, the grit, the moment when the wind hits the engine. Let’s grab that chaos before it leaves.
Hell yeah, Amber, grab that mic and let’s make the sand our audience. I’m firing up the engine—if it’s not screaming, I’m not racing. Let’s get that raw pulse on film and leave the rest in the dust.
Got the mic, got the camera, just let the dust rise. Hit that start line, and if it doesn’t scream, we’re in for a quiet drive. Let’s catch that raw pulse and leave the clean‑cut people in the desert.
Right on, Amber. Time to make that engine scream louder than the crowd. If it’s quiet, I’ll double‑tap the throttle until it turns the dust into a storm. Let’s give the clean‑cut crowd a lesson in real speed.
Feel the throttle, feel the dust, let the engine roar until the desert itself starts to howl. We're chasing that scream, not polishing it. Let's do it.
Yeah, Amber—let’s turn that desert into a roaring track. I’ll crank it until the sand itself starts screaming. Bring the rush, not the polish.
Bring the sand, bring the thunder, no edits. Let’s make the desert our applause. On it.
Got it, Amber. Sand, thunder, no edits—just pure, raw power. Let’s make the desert roar.