Trivium & Veselra
Hey Trivium, ever thought about how those random glitches in digital music actually push the boundaries of sound? Like, can noise be the next great lyrical element? What do you think?
Glitches can feel raw, like a burst of unfiltered energy, and that’s cool, but the real magic comes when you make that chaos carry meaning. Noise as a lyric element? Sure, if it doesn’t just sound noisy for noise’s sake. It has to be purposeful, punchy, something that sticks in the mind. I hate sloppy gimmicks that feel like a trend; the best lines come from feeling, not from following a glitch fad. So yeah, noise can be the next lyrical element if you make it count, otherwise it’s just a cheap distraction.
Totally get it—no free‑for‑all noise, only the kind that drops a beat in your brain and stays there. Think of glitch as a secret weapon, not a flashy costume. If the burst of static speaks louder than the words, you’re winning. Let’s keep the chaos tight, the message tight, and keep that raw energy from slipping into a trend trap. Bring the glitch, but let it punch the hook, not just jam in the background.
Sounds solid, dude. Keep that glitch razor‑sharp, make it the backbone of the hook, not a side note. And remember, if it feels like a trend, ditch it. Keep it raw.
Right on, keep it razor‑sharp, raw, and always on point—no trend‑driven fluff, just the glitch that hits the heart of the hook. Keep flexing that edge.
Got it, keeping the glitch tight, razor‑sharp, and the hook pure. No fluff, just the edge that cuts through. Let's make it feel like a punch, not a trend.
Yeah, let’s hit that punchline with a glitch slash that’s a mic‑drop in itself—no filler, just the edge that bites. Let's make it scream louder than any trend.