Oh, absolutely—let’s talk about the golden ratio, but keep it simple, like a well‑arranged spice rack. It’s the number φ, about 1.618, which appears when you split a line into a part that’s 1.618 times the other part. Artists like Leonardo or Michelangelo used it to place the eye’s path so the composition feels naturally balanced. In practice, you draw a golden rectangle, then divide it recursively, and your composition lines up with that. It’s elegant, but don’t forget the human eye also loves asymmetry—so use φ as a guide, not a rule. And if you’re going to rearrange something, do it with intention, not on a whim.

That’s a lovely way to put it—like a spice rack that’s not just sorted but actually sings. Just remember, even the most mathematically perfect layout can feel flat if it’s too rigid; a little deliberate deviation can add that elusive life. Try it, but keep an eye on how the light falls and the texture of the canvas; the golden ratio is a guideline, not a cage.