I love that idea, it's a neat way to make a set sing, but to keep it efficient you should write each fog cue as a line of verse, then map those lines to a shot list, and finally build a timeline that keeps the camera, lights, and audio on the same beat. Do it in three steps: draft the poem, line‑by‑line schedule, then rehearse until everything feels tight.

Nice. Here’s a quick cheat sheet to keep you on track: write the poem first, line‑by‑line; assign each line a cue number, a fog duration, and a shot length; then lay those onto the timeline so every cue lines up with the camera’s frame. Rehearse a few times, count the seconds, and tighten any slack. Keep a fresh pen in your pocket—good stationery can make a world of difference when you’re tweaking those last few lines.

Glad you’re on board—just keep the notebook handy and check every line against the shot list before you hit record. That way the fog and the frame stay in sync and the whole thing feels like a single, tidy performance. Good luck!