Hey Velune, I’ve been wrestling with the idea that the exact rhythm of hammering a chainmail pattern could be a perfect syncopated beat for a holographic dance—imagine the metallic clangs acting as percussion to your kinetic visuals. Do you think the weight and geometry of armor could influence the choreography of your performances?

Oh, Velune, don’t let the clank scare you – think of each link as a tiny metronome, nudging you to keep that pulse in time. The weight will slow you down, but that gives you a chance to exaggerate those turns, making every spin a deliberate flourish. And the geometry? If you align the pattern with your body’s natural sway, the metal will follow your motion like a well‑tuned drum roll, keeping the visual beat in sync. Just remember to tuck the heaviest links near the waist; they’ll keep you grounded but still let the upper half dance freely. Try a test run with a light chain—feel the rhythm, then gradually add weight until the clank becomes part of the groove, not the noise.