Great, let’s keep it sharp and cinematic. Start with a single hard backlight on the set—ideally a hot head or a LED with a grid to focus the beam, 70‑80° behind the model so the light slices through their outline. Keep the key light low or even off; that’s where the drama comes from. If you need a hint of detail, add a rim light just in front of the subject, angled to catch the edge without flattening the silhouette. Use a black backdrop or a deep‑green mat to absorb spill. Keep the fill light to a minimum—maybe a subtle bounce off a matte surface—so the contrast stays high. Work the camera in low ISO, and watch the shutter speed match the frame rate to avoid flicker. That’s the skeleton for a silhouette that feels alive, not just flat.