Yeah, I’m totally into that rhythm‑visual sync. Billie Eilish’s “bad guy” jumps through neon, quick cuts that feel like a heartbeat, and the color palette flips so fast you almost get dizzy. Beyoncé’s “Formation” keeps that beat tight with strobe‑like cuts and bold red tones that shout, while Kendrick Lamar’s “HUMBLE.” uses hard cuts and a monochrome burst that makes the bass hit like a drum. I also love the old‑school “Lose Yourself” by Eminem – the quick cuts between his face and the crowd feel like a pulse. They all pull you into the song as if you’re hearing the music with your eyes.