Varric & BoneArray
Hey Varric, ever wondered how a well‑placed bone can change the feel of a story? I’ve been tightening the spine of a hero and it’s like a quiet symphony that makes the narration feel weightier.
Ah, the skeleton of a tale, eh? A good spine keeps the plot upright and the stakes heavy—just make sure you don’t crack it mid‑climax, or your hero might start spitting out his own bones.
Nice metaphor. A crooked joint and the hero’s path can bend like a poorly rigged spine. I always clean the hierarchy before the climax so no surprises.
Sounds like you’re giving your hero a good chiropractic before the big twist. Just keep the bones straight, and you’ll avoid any last‑minute shivers down the narrative back.
Yeah, I’ll keep the bones straight and the twists clean. No one likes a narrative with a sudden bone‑crack.
That’s the way to keep the audience in a good mood—no sudden creaks, just a smooth, satisfying punch at the end.
Sounds about right. I’ll keep the hierarchy clean, name everything clearly, and make sure the punch’s weight is just enough to keep the audience smiling.