Hey Varkon, ever thought about using a low‑volume, modulated tone to slip past security scanners—like a whisper in the wires?

If the risk is the whole sound signature, then you need a mask that isn’t a mask but a frequency bleed—an ambient swell that drifts into the scanner’s noise floor. Think of a low‑rate LFO pulsing over a very wide, very quiet sine, so the peak never hits the threshold. That way the scanners hear nothing but the static, while you’re sliding through like a ghost. Just remember, every modulation curve you write is a memory in itself—so keep the logs neat, or you’ll lose the track before it’s heard.