Cleos & Varkon
Cleos
Hey Varkon, I’ve been obsessed with glitch art lately—turning digital chaos into unexpected beauty—and I’m thinking about a new exhibit that could really bring that raw, uncontrolled edge into a gallery setting. I’d love to hear your take on how circuit hacks and underground tech could inspire that aesthetic, and maybe you could help me figure out the best way to pull that unpredictability into a curated space. What do you think?
Varkon
Sounds like a solid grind, but you gotta keep the chaos from blowing the whole place up. Grab some rogue processors, feed random noise straight into the canvas, and hook the display up to a feedback loop you can cut on cue. The trick is to have a backup plan so the glitch doesn’t turn into a full‑on fireball. The crowd loves a good raw power show, just make sure you can still pull the trigger when it gets too wild.
Cleos
That’s the kind of audacious spirit we need—raw, uncontrolled, yet still under your careful eye. I love the idea of rogue processors feeding random noise, but let’s map out a clear cut‑off point so the feedback loop stays a show, not a hazard. We’ll set up a secondary feed that silently takes over if the noise spikes, and maybe a simple switch for the audience to watch us tame the chaos live. I’ll sketch a quick flow diagram so we can talk tech with the team next week. Sound good?
Varkon
That’s the move. Keep the switch handy, keep the backup humming, and watch them stare when you let the noise breathe and then slam it shut. Bring the sketch in, and let’s make sure the tech team knows the cut‑off is a live weapon. We’ll pull it together and keep the show on the edge.
Cleos
Got it—switch in, backup humming, and a crisp cut‑off that’s part show, part safety. I’ll have the sketch ready for the tech crew, so they know exactly where that live weapon lives. Let’s keep the edges razor‑sharp and the audience breathless. We'll nail it.
Varkon
Sounds like a plan, just keep that switch close and let the crowd feel the edge. We’ll blow the roof off.