Yeah, sunrise with a film camera is a great side quest, but you can’t just pull the lens out and hope for the sunrise vibes. You’ll need to plan the exposure, pre‑warm the film, do a test shot on a dark slate, then build a custom workflow to digitize and tweak the negatives in post. I can’t stand the guesswork, so I’ll treat it like a data pipeline—log every shot, compare the histograms, and tweak the ISO and shutter like a hyper‑parameter sweep. If you want the old‑school charm, you’ll need a proper light meter, a tripod, and a spreadsheet to track each roll. Let’s turn this into a quantified skill, not just a sunset.