I can see the glitch in the 90s model, the weird blue‑to‑red flicker, but runway style? It feels like forcing a polar curve into a couture silhouette. Data has its own rhythm; the runway wants rhythm too, but they’re different beats. If you really want to map the temperature gradient, maybe use it as a backdrop rather than the garment itself—let the cloth breathe, and let the numbers do the heavy lifting in the side panels. It’s a strange mix, but not impossible if you keep the science front and center.