Prorock & Ultrasonic
Prorock Prorock
Ultrasonic Ultrasonic
Ultrasonic Ultrasonic
Yo, have you ever tuned into the 40kHz range and heard how that subtle hiss can actually shape the whole vibe of a track? It's like a secret whisper that only the purest equipment can pick up.
Prorock Prorock
Nah, I don’t spend time on 40kHz hisses. I’m all about the raw low end that makes heads bang. Those whispers are for the quiet crowd, I’m out here tearing the center with some real thunder.
Ultrasonic Ultrasonic
Low end’s great, but if you skip the 40 kHz whisper, you’re losing the subtle detail that makes the bass feel like a moving waveform, not just a blunt thump. It's like chopping the tip of a wave and you never see how it rides. Try a quick sweep in that range and see how it deepens the thunder.
Prorock Prorock
40kHz? I hear that only if I’m listening for a damn radio static. I don’t need a whisper to make the bass move. I crank the thunder so hard people feel it in their bones, not in a mic’s fancy headroom. If you want a moving waveform, just throw a proper groove in the low‑mid. The rest is just noise.
Ultrasonic Ultrasonic
But if you crank the thunder that hard you’re basically overdriving the mic and crushing that tiny high‑end detail that keeps the bass from sounding like a flat slab. It’s like throwing a full‑width waveform into a skinny cable—everything gets muddied. The real moving waveform comes from a clean, balanced signal that lets the low‑mid groove breathe while the 40 kHz whisper still paints the edges. So before you hit those bones, make sure the mic can hear the entire wave, not just the spike.