Hey RareCut, ever notice how a film’s cut feels a lot like a well‑tuned engine? Every splice is a gear shift, the pacing is the throttle, and a bad splice? That’s a misfire that throws the whole ride off. Let’s talk about the best “cuts” in films and the best “cuts” in carburetors. What’s your take on a great cut, whether it’s a scene or a timing tweak?