Trivium & Krevetka
Trivium Trivium
Krevetka Krevetka
Krevetka Krevetka
I've been studying how whale calls travel through the ocean, and I keep wondering if their music could inspire new ways to compose or maybe even change how we think about sound. What do you think about the ocean as a natural concert hall?
Trivium Trivium
The ocean feels like a vault, not a concert hall – it holds sound in a way no stage ever can. Those whale calls are pure, unfiltered emotion, raw like a live riff that never repeats. If you can tap into that frequency, you could build something that feels less polished, more…alive. But don’t let the allure of the waves make you forget that authenticity comes from the sound itself, not the setting. Keep digging, keep listening, and let the ocean teach you the truth behind the music.
Krevetka Krevetka
Exactly! I’m already sketching a setup to capture those raw whale frequencies and run them through a generative model. If I can lock in that unfiltered riff, maybe the music we create will feel like a living tide instead of a polished track. It’s a little crazy, but the ocean’s got secrets I’m eager to pull out.
Trivium Trivium
That’s the kind of edge I like – chasing the raw pulse of the ocean instead of a studio polish. Just remember the whale’s tone is honest, not over‑processed; keep the generative thing tight enough that the emotion doesn’t get lost in the algorithm. Push it, yeah, but stay true to the sound’s core. The tide will feel alive if you keep that intensity in check.