Absolutely, that single line feels like the spine of a drawing, the axis that pulls everything into focus. In my latest piece I started with a clean, symmetrical grid, then slipped a jagged line right through the middle. That stray line breaks the order, creating a little chaos that still feels anchored. The hypnotic pull comes from the tension between the predictable shape and the spontaneous stroke. I keep circling back to it because there’s always a tiny tweak that could make the balance feel even tighter. If you’re playing with this, let a line appear unexpectedly and watch the rest of the shape dance around it—symmetry and spontaneity can be surprisingly harmonious.