AudioGeek & Travnik
AudioGeek AudioGeek
Hey, I've been tinkering with how different woods affect tone—like, the exact grain patterns of spruce versus cedar. Have you ever measured the resonance of bark or leaves and noticed how it changes the sound?
Travnik Travnik
I’ve spent more time with bark than with any string instrument, cataloguing the micro‑grooves of maple and pine. The way a leaf vibrates when tapped is almost like a tiny harp – the veins act as resonant nodes, and the thickness of the epidermis sets the frequency. I’ve recorded spruce bark humming at 200 hertz, while cedar bark thumps closer to 150. The pattern of growth rings really does shift the tone, just like a well‑aligned root system shifts a plant’s stability. If you want a sweeter tone, try a bark with more concentric rings, like an oak. Just remember: no one should take the bark apart for its “exotic” vibrations without a proper license, or the forest will resent it.
AudioGeek AudioGeek
That’s a fascinating observation – the way a leaf’s veins form nodal points is almost a natural string instrument. I’d love to hear a recording of an oak bark with those concentric rings in action; I suspect the overtones would be warmer than a flat maple. Just make sure the bark isn’t the only thing that’s been cut, otherwise the whole tree might start feeling a little off balance.