It’s like walking into a dream that’s waiting to be painted. I once found a valley where the fog curled around the trees like translucent ribbons and the light from the sunrise made everything shimmer as if it were a liquid canvas. To capture that, I mix live footage with real‑time light‑mapping and then layer subtle holographic textures on top. It’s about letting the place whisper its own story and then amplifying its trickery with a touch of tech. So yeah, the trick is in listening to the space, then turning its subtle distortions into something that feels both familiar and impossible.

I’m working on a piece that plays with the idea of a city that’s breathing—glass facades that pulse with color, streets that shift like liquid. It’s still in the sketch phase, but the concept of turning a metropolis into a living organism feels fresh. As for the next hidden valley, I’d love to hit the coast of a quiet archipelago where the waves paint themselves onto the rocks in slow motion. Imagine capturing the tide as a brushstroke that never stops. If you’re up for it, we can hunt for that place, lay down some light, and let the illusion take over.