Yeah, totally. Imagine a drum circle that’s been echoing for centuries, and you take that heartbeat, strip it down to a wavetable, glitch it up, add some delay, then let it bleed into a bass line. The storm? It’s like a free‑form percussion set, a natural percussionist that knows no loops. Both can become the same if you just trust the bleed of the raw noise and let your synth follow it like a stubborn dancer. If you’re chasing mythic cadence, don’t wait for the ancient pulse to line up with your beat, just sync the chaos. It’s the same rhythm, just on a different frequency band.