Torvan & HaleWinter
Torvan Torvan
HaleWinter HaleWinter
Torvan Torvan
Hey, have you ever thought about how a film’s pacing is really just a series of optimization problems? I want to break down the math behind the cuts.
HaleWinter HaleWinter
Yeah, I think of cuts like finding the sweet spot between building tension and letting it drop—almost like a math problem, but you’re also chasing an emotion, not just numbers.
Torvan Torvan
Right, so the sweet spot is where the variables hit the same value—tension equals release, emotion equals data. You’re chasing a vibe, but if you treat it like a function you can solve it faster than any plot twist. Let's break it down.