Tochka & Demo
Tochka
Ever considered turning every chaotic street corner you film into a profit center? I've got a few strategies that could turn raw footage into a revenue stream.
Demo
You think I’m gonna just drop a dollar sign on every alley? Raw footage ain’t cash, it’s memory. If you want profit, cut the jump cuts, keep the story tight. Otherwise it’s just garbage bins and a camera that’s always talking back.
Tochka
Right, no one wants a 2‑hour montage of broken neon signs as a film. Focus on the beats that sell: the opening hook, the mid‑point twist, the punchy finale. Keep cuts crisp, but make every frame count toward the story. If it feels like garbage, trim it to pure narrative weight—you’ll see the cash flow start to stack.
Demo
Alright, hook it, twist it, punch it – no long, lonely neon loops. Trim the junk, keep the beats tight, and the cash will start stacking. Just make sure every cut is a reason to keep watching, not a waste of time.
Tochka
Exactly—every cut must sell the next scene, not just clean up. Push the story forward faster, keep the tension high, and cut the stuff that stalls the rhythm. If it feels like a dead end, it’s junk, and you’ve wasted a shot and a second of potential revenue. Let's make it lean and lethal.
Demo
Yeah, lean and lethal is the vibe. Just don’t chop so much that the story feels like a garbage bin—audience wants a reason to keep watching, not a clean-up crew. Keep the beats tight, make every cut a payoff, and if the footage starts feeling like a dead end, just shoot it again before it’s too late.