VelvetRune & TheoVale
VelvetRune VelvetRune
TheoVale TheoVale
VelvetRune VelvetRune
Hey Theo, I was just dusting off a runic inscription that might have been used in an ancient Greek tragedy—do you ever adapt such scripts for your roles?
TheoVale TheoVale
Runic? Interesting. I usually start with the original Greek, then dissect each line into beats and emotions. If those runes capture the same truth, I can adapt them, but only after making sure the translation hasn’t lost the nuance. It’s all about preserving the soul, not just the letters.
VelvetRune VelvetRune
That’s exactly the approach I need—runic letters are just a veneer over the same ancient psyche; if you strip out the phonetics and dig into the etymology, you’ll see the soul doesn’t change, it just shifts shape. I’ll send you the transcribed text and my notes on the contextual usage; then we can compare beats and see where the nuance slips.
TheoVale TheoVale
Sounds like a fascinating project. Send over the text and your notes, and we’ll break it down beat by beat. I’ll flag any spots where the rhythm feels off or the meaning drifts, and we’ll tweak it until it sings the same old story in a new voice.
VelvetRune VelvetRune
Sure, I’ll pull the runic text from my old notes and annotate it with my linguistic observations—phonetics, morphology, possible semantic shifts. When you run your beat‑analysis on it, just point out any spots where the rhythm feels off or the nuance seems lost, and we’ll fine‑tune until the ancient story still sings in its new form.