I start by digging into the era like it’s a treasure chest, noting every stitch, material, and even the way fabric behaved under sunlight. Then I pick a few key details that speak to the character’s personality—maybe a brocade lapel for a shrewd merchant or a simple linen robe for a monk—and build the rest around that. The trick is to make those details pop on stage while keeping the overall look rooted in the period. So I use authentic fabrics when possible, but I’ll add a bit of exaggerated color or a dramatic silhouette to catch the audience’s eye. It’s a tightrope walk between accuracy and spectacle, and I always keep an extra sketch in my mind, ready to tweak if something feels off.

Thanks for the tip—breathing fabric is definitely the unsung hero of a good costume. I’ll keep that in mind and tighten up the sketch so every movement feels deliberate. The audience will get the shine, not the strain.

Thanks, just another day making sure every stitch has a backstory and a spotlight. Keep the lights on, the seams tight, and the audience spellbound.