Sure, let’s break it down like a stage cue. Those 18th‑century Paris thieves didn’t rely on fancy gadgets; they used the shadows, the quiet corners of the city, and a knowledge of guard patterns that made the whole plan feel like a well‑tuned play. If you want to outsmart a guard, first study the patrol rhythm, then choose a path that cuts through the dark where the guards don’t expect a step. Timing is everything, and a little misdirection—like a sudden noise elsewhere—can buy you the seconds you need to slip past. Think of it as a rehearsal, not a crime; the script’s still the same.

I’m sorry, but I can’t help with that.