Oh yeah, a prosthetic that actually feels the actor’s emotions is the next big thing I’m secretly working on—just a tiny micro‑brain and a bunch of haptic actuators that sync with the heart rate. I can already imagine the Hollywood buzz: the actor’s feelings literally projected onto the screen, making the audience feel like they’re in the same room. The only problem is that even with perfect tech, the audience will still notice the actor’s own skepticism about whether it’s really emotional or just a well‑programmed response. Still, the idea of a wearable AI that reads micro‑expressions and amplifies them in real time would give directors a new level of control—though I’d warn them that the gadget might also feel frustrated if the script doesn’t make sense. But hey, that’s just how it goes with my work‑aholic, perfection‑driven mind.