Kotan & ThaneCloud
Ever notice how a few quiet minutes in a movie can feel like a whole conversation? I read that early filmmakers would hold a single long shot, letting the audience's own feelings fill the silence. I wonder if you ever find that trick useful when you’re building a character.
Yeah, a long pause can say more than a thousand lines. I let the quiet paint what my character feels and trust the audience to read it. It's like a silent conversation we all share.
That’s the kind of quiet I love, the space where the character’s thoughts spill out like dust in a beam of light. It feels like the scene is breathing, not just acting. Have you ever tried letting the pause become a character of its own? Maybe it’ll reveal more than a line of dialogue ever could.
I do. The silence becomes its own eyes, a silent witness to what I’m saying. It lets the audience feel the weight of the thought, the ache that words miss. The pause breathes, and in that breath my character is revealed.
It’s almost like the pause has its own heartbeat, doesn’t it? I once plotted a scene where the silence was so heavy the audience had to carry it in their chest. Maybe that’s why I’m so drawn to those breathing moments – they’re the unsung heroes of a good story.
It’s the beat you hear in a pause. In that quiet, the whole world holds its breath. That's where the true story hides, and I try to let it speak.