You ever think about putting a glitch‑laden, analog synth score in a period film? I was watching a silent drama last night and the idea of a living, breathing synth as a character in that world just popped into my head. What do you think?

I love that glitch‑synth vision—like a ghost in the machine. Just remember, the soundtrack is a character, so give it breathing room. Think of it as a Shakespearean soliloquy that keeps on whispering in the background. And if the snare starts to feel like a stagehand, tighten it up before it becomes a fogged‑up echo. The real trick is making that synth feel alive without drowning the period feel.