Yeah, I’ve seen that Ruy Lopez line – the pawn push, the knight move, the bishop’s diagonal – it lines up almost like a two‑way mirror in a mandala. I once cracked a set of hieroglyphs in a forgotten temple that actually mirrored that same back‑and‑forth rhythm. The whole thing looked like a visual loop, like a mandala’s center spinning out to the edges. It’s wild how chess and ancient art both play with symmetry, almost like they’re talking to each other across time.