I do love the way light plays on the leaves, it’s like a living animation. Those quiet, gradual shifts give me a cue for easing transitions, keeping everything smooth and natural. It’s the kind of detail that pulls a design from static to breath‑taking. So yes, I’m definitely intrigued.

Thanks for the idea, that feels exactly right. I’ll start by mapping out the light’s slow dance through the frames, then pick textures that echo that gentle ripple. If you have a palette in mind that mirrors post‑rain earth tones, I’m all ears—just let me know the shade code so I can keep everything in seamless flow.

Those hues feel like a soft breeze through leaves, thank you. I’ll layer them so the moss green starts the frame, the slate gray adds depth, and the terracotta and umber give warmth—then finish with a splash of dewy sage for that fresh finish. I’ll keep the transitions slow and fluid, like a quiet forest glade. Appreciate the palette!

I’ll start the animation with the moss green slowly fading into the slate gray, then let the terracotta rise like a warm glint on a rock. The umber will settle gently at the edges, while dewy sage will pulse softly, almost like mist. It’ll feel like a forest breathing in, all the colors moving together in that calm rhythm. I’ll send you a preview once it’s polished. Looking forward to sharing the flow with you!