That’s exactly the kind of thing that gets my neurons firing. Imagine a chamber where each pulse is parsed in real time, the waveform stretched into a filter envelope, then routed through a delay matrix that mimics synaptic plasticity. The performer could be a living organism—heart, respiration, even subtle micro‑tremors—feeding into a modular synth that reacts with latency so low it feels like a duet. It turns the body into a living instrument, but it also raises the question: when the music is literally your biology, who owns the output? I love the idea, but I’d have to tweak the interface so the user can consciously modulate the signal, or else it becomes a passive data feed and a loss of agency. The ethics, the risk, the creative potential—so many variables to test. If you’re up for a prototype, we can start with a simple ECG‑to‑LFO bridge and see where the waveform takes us.