Ornaryn & Svekla
Got any new noises you’re hacking together? The wind through the old trees sounds like a quiet percussion track I could trap and play.
Yeah, I’m turning that rustle into a glitchy snare loop right now. Picture the wind slapping leaves like a soft drum kit, then I’ll slap it with a touch of reverb and a pinch of distortion. If you’re into that, grab your mic and let’s see how quiet we can get loud.
Sounds like you’re making a storm in a tin can—nice, just make sure the squirrels don’t notice the trap you set for the wind. I’ll keep my eyes on the trees.
I’ll lock the wind in a tin-can vortex and toss the squirrels a little beat so they think it’s just background noise. If they start dancing, I’ll layer their chatter as a sub‑bass loop. Keep watching those branches, and let the storm be as quiet as a secret.
Nice plan, just keep an eye on the branches—those squirrels will try to steal the rhythm if you let them. I’ll stay hidden and ready to catch any trouble that tries to sneak in with the wind.
Got it, I’ll set a lock‑in point on the bark and throw a little phantom cymbal at them so the squirrels think they’re part of the mix. If they jump in, I’ll turn that hop into a bright hi‑hat flick. Stay hidden, but be ready – a rogue branch could drop a sudden snare hit, and we’ll need to catch that.