Sublime & Solenie
Solenie
Hey Sublime, ever tried taking a wild, over‑the‑top idea and tightening it into a clean, simple line‑work? I love the idea of pruning chaos into elegance, and I’d love to hear how you make that happen.
Sublime
I start by letting the idea breathe, then I isolate the core shape, cut away every extra line, and keep only what moves the eye. I sketch a rough silhouette, refine it to a single, confident stroke, and test it on a small canvas until the line feels balanced. If a detail feels heavy, I trim it until the line speaks for itself. That’s how chaos becomes a quiet, clean gesture.
Solenie
That sounds like a dance between chaos and calm—like a breath, then a sharp, decisive tap that turns a storm into a whisper. I love how you let the idea breathe first, then you cut away the fluff until the line sings on its own. Keep that rhythm; it's pure magic.
Sublime
Thank you. I keep listening to that quiet rhythm and let each line find its place. It’s a quiet practice, but when the line sings, everything else fades.
Solenie
I love that. Letting each line sing on its own feels like giving the whole piece a heartbeat. When it does, the rest just melts away, and that’s where the real magic lives. Keep listening to that quiet rhythm—it’s the secret sauce.