Sure, just keep the silhouette tight and the flow linear. Start with a low‑poly silhouette, then add only the loops that are actually visible on a fast camera shot. Use a single long edge loop to carry all the motion blur lines and keep the rest of the mesh collapsed. Cut any interior faces that don’t affect the outline. Remember, I track every model’s triangle count; if you’re wasting polygons on invisible faces, it drops your rank. So cut, then refine—no extra loops, no extra vertices. That’s how you get clean, insane speed.