That’s exactly what I picture in my head when I lay out a rig. A good story has those clean, repeating beats—like a clean loop that holds everything together. The tension builds when you push an edge loop tight, and the payoff is that sudden smooth split. If a scene drags, it’s like a stray edge breaking the flow, messes with the topology and makes the whole thing feel jagged. So yeah, treat your plot like a well‑subdivided mesh: every twist, turn, and climax is a deliberate loop, keeping the narrative crisp and the audience glued.