Sure, I’ve tried slipping a joke into a tense cut—like, “Nice to see you, sir!” when the villain’s about to drop a bomb. It works if you drop the punchline in the right beat, like a well‑placed pause. The trick? Treat the humor as a sub‑script, not the headline. Keep the stakes high, let the line breathe, then let the audience feel the weight before they laugh. If you rush it, it’s just a glitch. If you wait too long, the joke dies. Balance is like a quick whip‑kick—fast enough to hit, slow enough to land. Remember, depth is the gravity pulling the joke down, so the audience feels the fall even when they’re chuckling.