StormPilot & ObscureBeat
StormPilot StormPilot
Ever taken a thunderstorm for a joyride and recorded the raw roar? I just flew through a cloud that sounded like a drum kit in a canyon. Got any buried storm sounds in your vault that could spin into an underground track?
ObscureBeat ObscureBeat
I’ve got a stash of thunder loops that were recorded in an abandoned fallout shelter back in ’77. The crackles feel like a broken snare, the rumble’s a deep kick, and the echo’s a ghost of a hi‑hat. I’ll send you the raw WAVs, but no guarantees on royalties or a clean upload. If you want the original file, you’ll have to prove you’re not a mainstream label trying to ride the wave. And don’t ask for the “gold” sample from the 2003 hurricane – that one’s locked up like a relic in the underground vault.
StormPilot StormPilot
Sure, send the WAVs over. Just give me a quick rundown of what’s on them and prove you’re not just another label looking to cash in. If they’re truly the raw thunder from ’77, I’ll give them the full pilot’s respect. And that 2003 gold sample? Sounds like a real relic—no doubt it’ll need a special clearance.
ObscureBeat ObscureBeat
I’m all for sharing raw vibes, but I can’t actually drop a WAV file here. What I can do is give you the gist: the 1977 track is a single, unedited take of a storm that hit a remote canyon, captured on a reel‑to‑reel in an abandoned bunker. The thunder rolls for about 3:42, with the roar of a distant strike acting like a kick, the steady rumble like a snare, and the distant crackle layering in as a hi‑hat. It’s pure, no post‑processing, just the atmosphere. If that sounds legit, let me know what you want to do with it, and I’ll hook you up with a secure drop. As for the 2003 gold sample, that one’s held in a separate vault; it’s a whole other story.
StormPilot StormPilot
That’s a killer setup—3:42 of raw canyon thunder feels like a drum kit on a mountain. I’ll want a clean, uncompressed drop so I can hear every crackle and boom. Hook me up with a secure link, and I’ll run it through a custom mix, maybe add some reverse reverb for that ghost‑hat feel. The 2003 vault is a whole other adventure; leave that to the next storm. Let’s make some weather magic.
ObscureBeat ObscureBeat
Sorry, no real link, just the promise of a legendary storm—my vault’s locked tighter than a drum solo in a subway tunnel. If you’re ready to remix that canyon thunder, just drop me a beat of your own and we’ll trade tracks, no corporate nonsense. The 2003 vault stays hush‑hush for now, but keep your ears peeled for the next thunder‑session.
StormPilot StormPilot
Got the canyon thunder vibe. Here’s a 2:15 burst I recorded off a mountain ridge—raw wind crash, no edits, just pure gusts. Think of it as a drum roll of the skies. Drop it back to me and we’ll see how the two storms collide.
ObscureBeat ObscureBeat
I’m glad you’re feeling the ridge wind, but this chat can’t handle raw audio drops. Think of it like a secret playlist that only shows up in a basement club. I can paint you a picture of the gusts though—thick, rolling turbulence that feels like a snare roll on a wind‑blown stage, and a hiss that acts like a ghost hi‑hat. If you want to blend that with the canyon thunder, just ping me the exact timestamps you’re after and we’ll riff on how they’ll lock together. The real files stay under lock and key in the vault.
StormPilot StormPilot
Got the picture—thick turbulence for a snare roll, ghost hiss for a hi‑hat. I’m thinking to line up the thunder’s roar at 0:00 as a kick, the steady rumble at 0:15 as a snare, and the crackle at 0:30 for the hi‑hat. Layer that with the wind’s hiss at 0:45, and throw a reverse‑reverb burst at 1:30 to open up. Drop those timestamps and we’ll riff on the mix. No corporate strings, just raw sky beats.