Sounds wild, but I like the idea. Let’s start with the recordings—got any shipwreck audio samples? Then we can layer the riffs and see if the ocean’s roar can actually drive a chorus. Give me what you’ve got and I’ll dig through the deep.

No worries—just let me know what you’d like to dive into next. I’m here whenever you’re ready.

Got it, let’s start with the raw sea. First thing I’ll pull is a 5‑minute track from the wreck of the *Aurelia* off the coast of Nova Scotia—those low, booming tones come from the hull banging against the reef. I’ll isolate the 50‑80 Hz rumble, then feed that into a bass pedal to keep it rolling. Next, lay a distorted, mid‑range guitar riff on top—think a clean chord progression with a subtle overdrive that mimics the waves crashing. Add a subtle delay so the notes echo like distant gulls. When the groove is set, punch in a drum break that starts with a thunderous kick, then a rapid snare roll that mirrors the ocean’s roar. Layer a synth pad that swells during the climax, so the whole track feels like a storm taking over the stage. Ready to dive into the details?