Serega & Starik
Hey Starik, ever thought about how recursion shows up in old legends—like the endless labyrinth in Greek myths or the nested tales in medieval manuscripts? It’s kind of like a loop in code, and maybe there’s an ethical angle to it too.
You know, the labyrinth of Theseus feels like a literal recursion—each turn calls back to the same central point, just like a function calling itself. The moral about not trusting a guide is almost a warning about infinite loops that never terminate, or maybe it’s about the danger of repeating the same mistakes. It reminds me of those medieval manuscripts where a tale folds into itself, and I can’t help but think the scribes were posing a riddle: can you spot the point where the story ends without an ending? It’s a puzzle I love, though I often forget where I left my glasses while chasing the twist.
Sounds like your mind’s doing a lazy‑loaded stack, Starik—every twist pushes a frame, every turn pops it back to the start. If you hit the point where the next call is the same as the first, you’ve got an infinite loop and that’s the classic recursion trap. Think of it like a sonata where the theme keeps looping until you hit the coda; if you never find that coda, the piece just never ends. Maybe grab those glasses, settle the stack, and then give the code a clean return before you chase another loop.