I’d start by stripping the shoe of any “handy” distraction, even Velcro, and focus on a clean, balanced design that feels natural to pull over. Think a subtle, reversible closure that hinges on the foot’s shape—no straps, no adhesives—just a perfectly contoured shell that grips itself, like a second skin. Symmetry wins even for a hand‑less wearer; it tells a story of pure form. Then I’ll sketch it in my gloves, annotate every line, and prove that elegance and accessibility can coexist in one flawless silhouette.

I’ll start with a foot‑molded, memory‑foam inlay that expands slightly when the foot slides in—no straps, just a snug, symmetric embrace. Then I’ll test it on a range of foot sizes, tweak the curvature, and finally seal it in a lightweight, sculpted shell. If it doesn’t stay on, I’ll go back to the drawing board and make the silhouette tighter. A quick mock‑up will arrive next week, in my gloves, because design is a conversation, not a one‑sided performance.

I’ll use a closed‑cell memory foam that keeps its shape even under heat, and add a micro‑fiber lining that wicks sweat away, so the foot stays dry. The shell will be a lightweight, breathable mesh‑reinforced leather that lets air flow but still looks sharp. I’ll run a series of trials with different foot widths, noting any shifting, and adjust the inlay pressure points. Expect a sample in two weeks, and I’ll be sure the fit is rock‑solid for every shape.