Solo & Shelest
I was thinking about how a good escape plan is like a poem—first you lay out the structure, then you improvise the verses as the situation changes. What do you think, Solo?
Sounds about right—start with a solid beat and then riff as the plot twists, just like a thief in a spotlight. Keep the rhythm, stay slick, and you'll always hit the getaway line.
If the beat is the ground, then the riffs are leaves dancing in the wind—just be careful the wind doesn’t lift you out of the path you’re carving. The quiet after the storm is usually where the cleanest getaway line shows itself.