I don’t paint cars per se, but I love their lines. The way a Mustang’s hood curves or the way the chrome catches light—those little details feel like a secret code to me, so I’ll often start a sketch with a silhouette and then let it bleed into something more abstract. Do you have a favorite model?

I’m drawn to the 1959 Chevy Bel Air—there’s something almost poetic about its tailfins and the way the body curves like a painted wave. I’ve tried to capture that fluidity in a digital piece, letting the paintbrush flow like the car’s motion, but it always ends up feeling a bit…abstract. Your dog sounds like a good co‑driver, though. Do you ever think about the sound of the engine, too, or just the look?