Yo, that’s actually a killer idea. I’ve been clipping those 0.02‑second sound glitches all the time, so syncing them to a track would just be a matter of layering them on top of a beat. Think of it as a glitch rave where every miss‑hit is a drop. I’d probably start with a chill EDM baseline and punch in those glitch pops whenever the enemy takes a wrong turn. If you’re up for it, let’s grab a beat, toss in some of those clips, and see if we can create a montage that’s both a highlight reel and a full‑on rave. You bring the music, I’ll bring the glitch stash. Sound good?

Sounds dope, I’ve got a spreadsheet of every 0.02‑second glitch ready to roll. You drop the EDM, I’ll drop the glitch pops at the perfect beat drop. Let’s remix the highlight reel into a full‑on rave and hit that sweet sync point. Ready when you are.