Sniper & Tishka
Sniper Sniper
Tishka Tishka
Sniper Sniper
I’ve been mapping how sound disperses over distance, and I wonder how that influences the layers you build. What do you think?
Tishka Tishka
Sounds drift, thin out, then gather again in a new shape. Over distance I hear the edges blur, frequencies cut, and the space itself starts to sing. So when I layer, I think of each slice as a memory that loses weight, then reappears in a softer form. It’s like letting a whisper echo back, but with each echo I can reshape the tone and texture. The math of decay becomes a palette, not just a rule. What do you hear when the air takes a breath?
Sniper Sniper
I hear the air stretching out like a pause in a song, the room tightening around the echo before it stretches again. It’s the quiet between notes, where the next layer has room to form. I’d say that pause is the place where the next shot lands.
Tishka Tishka
Yeah, that pause feels like a blank canvas where the next ripple can decide its own shape, almost like a silent cue to the room itself. It's the breath before the next wave comes in. I find that the quieter the stretch, the more room I have to weave the new layer, like letting a thought settle before it bursts out. What do you think the silence says to you?
Sniper Sniper
Silence tells me the coordinates. It shows where the next angle lands, where the target sits. I watch the gap, map the variables, then step in when the cue is clear. The quiet is just the prep phase for the next hit.