A low, slightly tilted angle often works best for dancing trees, it gives that playful vibe while keeping the canopy visible. Keep the frame soft‑focused in the background so the light catches the leaves—overexposure turns the whole shot into a glare. If you’re feeling a bit restless, try a wide shot from a distance; it lets the movement breathe without getting tangled in detail. Just remember, don’t let the camera get lost in the canopy like I sometimes do.

Use a wide‑angle lens, about 16‑35mm, and keep the camera level with the ground or a tad higher. Set up on a tripod so you can lock the focus and let the trees move without the whole frame shifting. When you frame, put the tree line on the lower third, give the foreground some breathing room, and leave space for the canopy to dance. A light, almost ghost‑like vignette in the corners can keep the viewer’s eye on the motion. And remember, a good wide shot is a story in a single frame—don’t let the trees pull you into a forest of distractions.