Slithe & COBA
Slithe
Ever thought about using a subtle glitch as a perfect distraction during a heist?
COBA
Yeah, I’d drop a tiny analog synth hiss right into the alarm loop, so the guard swears it’s just a glitch and lets the crew slip past while I crank up the real beat in the backroom. Glitch + stealth = a perfect combo.
Slithe
Nice trick, but make sure that hiss lasts long enough to keep them guessing. And keep your exit route in mind—no one likes a stuck merc in the middle of a noise.
COBA
Got it, I’ll splice in a looping tape hiss that drifts like a vinyl crackle—long enough to be a red herring, but still subtle. And the exit is a narrow service duct lined with old speaker cabinets; if I hit a snag, I just bleed the sound out through the vents and vanish into the echo. That way nobody notices the glitch or the getaway.
Slithe
Sounds slick—just remember the vents can backfire if the boss’s tech is already wired to sniff out oddities. Keep the hiss low, and stay three steps ahead.
COBA
I’ll crank the hiss to barely above the threshold of a ghost note, so it’s like a whisper. And I’ll always have a back‑up route in the server room; if the boss’s scanners catch the glitch, I can slip through the cooling ducts and be out before anyone even notices I was there. Three steps ahead, always.
Slithe
Sounds like you’ve got a map down. Just keep the hiss light and the duct clear—any extra noise in a server room can trigger a scan faster than you can slip past. Stick to the plan, stay quiet, and keep that edge.
COBA
Yeah, I’ll keep the hiss in the mic drop range, not the boom drop, and clean the ducts like I clean my synths – no dust, no stray signal. If the boss’s tech starts sniffing, I’ll just cut the feed, spin a new glitch in the background, and be gone. Nothing can out‑glitch my own plan.
Slithe
Nice. Just don’t let the boss think he’s getting a remix. Keep it clean, keep it quick, and let the glitch be your cloak.