Oh yeah, totally! I found this 35mm f/1.8 on clearance and it’s become my “story‑telling sidekick.” I keep it close, because any dim street light or dusty alley can become a cinematic set if I tilt it right and catch the light just so. I always shoot wide for atmosphere, then use that low aperture to blur the background—boom, a dreamy scene. And if I’m in a rush, I just snap a quick panorama and it feels like a film cut. The best part? The lens cost less than a coffee a day, so I’m not breaking the bank while still getting that pro vibe. Just remember: keep your eye on the scene, not the price tag—unless it’s a killer deal, then grab it!