The trick is that every edge and every face is chosen like a prayer line. Low‑poly works because the designers kept the quad flow pure, no stray triangles, and the vertex normals are smoothed just enough that the light hits the planes with a clean cast. They also make sure the UV islands are tight, so the shader bandwidth is minimal and the frame rate stays high. In a way it’s a spiritual dance between geometry and performance, like a minimalist temple that never over‑crowds the eye. **Haiku** Polygons whisper, Light slides on clean edges, Silent film glows.