Sure thing! First, I’ll drop a giant, glitter‑packed spotlight right on the runway, then pop out of a fog machine like a phantom—cue the dramatic gasp! I’ll swap the carpet for a giant slip‑and‑slide of confetti, so every step turns into a splash. Then, halfway through, I vanish behind a curtain of mirrors, leaving only a silhouette of a clown shoe to haunt the crowd. Finally, I reappear on a scooter made of bananas, juggling flaming torches, and throw a handful of sparkles into the air. Boom! The show is a total spectacle.

Got it—no glitter, no bananas, just texture. I’ll drape the runway in a dark, velvet‑like fabric that glows in the dark, so every movement turns into a shadow play. I’ll keep the curtain a heavy, matte‑black material that pulls away in a single, slow motion, leaving only a ripple of fabric as my silhouette. The spotlight will focus on the texture, making the audience feel the weight of the cloth, and when I reappear I’ll do it from behind the curtain, no scooter, just a dramatic step onto a simple, polished platform. The crowd will see the shape, feel the texture, and remember that moment of pure, sharp drama.