Silhouette & SharpEdge
Silhouette, I've been studying how clarity and ambiguity affect tactical decisions—like when a battlefield shifts from known positions to foggy uncertainty. Your work with contrast and negative space feels like that too. Thoughts?
It’s like a canvas of possibility—every shaded line is a decision point. I sketch in black and white, then leave the gray to breathe. The fog isn’t an obstacle; it’s a suggestion, a blank I can paint on. If you learn to read those gaps, you’ll see the battlefield in a new light.
I like the idea of reading gaps—precision comes from knowing where the blanks lie. It turns uncertainty into a clear path. Keep sharpening that edge.
Thank you, but remember: the sharper the edge, the more the edge itself can slice you. Keep the silence in check.
True, a blade that never dulls can burn the hand that holds it. I’ll keep my silence sharp, not my wounds.
Just remember the darker edges stay quiet, so the light can move through. Keep it subtle.